Ils se prénomment Joseph, Nicole, Paulette, Rémy, Marguerite, Janine…..
Ils étaient âgés de 12, 15, 18 ans, 20 ans….
Ils étaient à Saint-Aubin, Bernières, Courseulles,  Douvres-la-Délivrande, le 6 juin 1944, lorsque les soldats canadiens débarquèrent sur la zone de Juno Beach  pour les libérer de l’occupation allemande. Ils étaient aussi à Carpiquet en juillet 1944 lors des combats pour la prise de l’aéroport.

80 ans après, dans le cadre des cérémonies commémoratives du Débarquement, l’association « La semaine acadienne » et l’association « Mémoire collective de Carpiquet » leur consacrent une exposition, dans la partie ouest de la célèbre maison des Canadiens à Bernières-sur-Mer, rachetée récemment par la communauté de communes Cœur de Nacre. 

Mêlant portraits au crayon réalisés par Jacques Doll, lui même présent le Jour J, à partir de documents d’époque, photos actuelles de Bernadette Taupy ainsi que Maryvonne Lépine, et témoignages, elle donne l’image et la parole à ces 72  témoins qui  n’ont jamais oublié ces jours synonymes de libération, mais aussi de souffrance. 
Des témoignages d’autant plus précieux que, malheureusement, les voix de la plupart de ces  témoins se sont aujourd’hui éteintes.

France

"Ils ont vu le débarquement à Juno Beach et la libération de Carpiquet" / Festival la semaine acadienne

This exhibition reveals the full story: from isolation to extermination, captured in a rich collection of photographs, many never before seen. The images, captured by both professional photographers and courageous amateurs, document the harrowing reality of raids, the introduction of the Star of David, hiding activities, and the roles of perpetrators and bystanders.Historians Erik Somers and René Kok searched dozens of archives at home and abroad for this exhibition and the book of the same name. Their work reveals the complexity and impact of anti-Jewish measures in the Netherlands during World War II.The photographs on display not only show the brutality of the German occupation, but also highlight the help given to people in hiding, the daily life of Jews at the time, and the aftermath of the war with the return of the few survivors from the camps.This exhibition, previously shown at the National Holocaust Museum in Amsterdam, National Monument Kamp Vught and at Topographie des Terrors in Berlin, is a must-see for anyone interested in the history of World War II and the persecution of Jews.Visit the <a target="_blank" rel="noopener noreferrer nofollow" href="https://bevrijdingsmuseumzeeland.nl/de-jodenvervolging-in-fotos-nederland-1940-1945/">Liberation Museum Zeeland</a> and be immersed in this powerful and educational experience

The Netherlands

The persecution of the Jews in photographs. Netherlands 1940-1945 - Liberation Museum Zeeland

‘Degenerate’ art: the trial of modern art under Nazism. ‘In particular, it examines the propaganda exhibition Entartete Kunst (Degenerate Art), held in Munich in 1937, which showed over 700 works by around a hundred artists representing the different currents of modern art, from Otto Dix to Ernst Ludwig Kirchner, from Vassily Kandinsky to Emil Nolde, from Paul Klee to Max Beckmann, in a setting designed to provoke the visitor's disgust.Entartete Kunst’ was the culmination of a series of infamous exhibitions staged in several museums from 1933 onwards (Dresden, Mannheim, Karlsruhe, etc.) to denounce the artistic avant-garde as a threat to German “purity”, against the backdrop of a methodical “purge” of German collections. More than 20,000 works, including those by Vincent Van Gogh, Marc Chagall and Pablo Picasso, who had been labelled a ‘degenerate’ artist in France and Germany since the 1920s, were withdrawn, sold or destroyed. At the heart of this history, the term ‘degeneracy’, which emerged in the nineteenth century in various disciplines (natural history, medicine, anthropology, art history, etc.) until it crystallised at the heart of the National Socialist ‘world view’, served as a vector for the deployment of racist and anti-Semitic theories within the history of art.

Degenerate Art: The Trial of Modern Art under Nazism

Nombreux sont les artistes, intellectuels et combattants qui aux prémices de la Seconde Guerre mondiale quittent leur pays pour différents exils. Qu’ils soient persécutés, juifs, opposants au fascisme et au nazisme, militants, responsables politiques, intellectuels ou artistes, français ou étrangers, ils se retrouvent sur le territoire métropolitain, point de départ vers une autre destination, fuyant l’Occupation et la France de Vichy pour l’exil.De Londres à Sydney, en passant par New York, Brazzaville, Buenos Aires, Cuba ou encore Alger, les visiteurs découvriront les parcours variés et les engagements courageux de nombreuses personnalités. Parmi elles, des figures marquantes comme René Cassin, Germaine Krull, André Masson, Wifredo Lam, Maria-Elena Vieira da Silva, Henry Valensi, Fernand Léger, Jean Hélion, Anna Marly, Micheline Rosenberg, Georges Duthuit, Jean Gabin, et bien d'autres.L’exposition souligne la persistance de la liberté d’action et de création, incarnée par l’esprit des Lumières, dans les territoires ralliés. Un «&nbsp;certain esprit français&nbsp;», défendu aussi par des artistes étrangers soutenant ces valeurs, comme le sculpteur et peintre américain Alexander Calder.La scénographie plongera le visiteur à partager les destins, les émotions, les luttes et les espoirs notamment à travers la reconstitution de deux lieux emblématiques de la France aux États-Unis&nbsp;: l’atelier New-yorkais du sculpteur Ossip Zadkine – exilé dès 1941 – véritable sanctuaire de créativité et de résistance, ainsi que la célèbre librairie new-yorkaise Gotham Books, à l’atmosphère vibrante où l’esprit français s’épanouissait en pleine guerre.Cette exposition s’inscrit dans le cadre des commémorations nationales des 80 ans de la Libération.<div data-youtube-video=""><iframe class="video" width="640" height="480" allowfullscreen="false" src="https://www.youtube.com/embed/rX4hzGtB8VQ" start="0"></iframe></div>

Un exil combattant. Les artistes et la France 1939-1945 

The relationship between love and war is intimate and as old as mankind. Under the threat of death, life and love are experienced much more intensely. World War II affected the love life of a whole generation of people. They - as always - got butterflies in their stomachs: in the air-raid shelter, in hiding, at the front or simply on the streets. The 'Love in wartime' exhibition, from 5 June 2024 to 30 March 2025, shows how people found each other under difficult circumstances. And how feelings can overcome everything. After all, what is 'right' or 'wrong' in love? In the 'Love in Wartime' exhibition, we see war from its most intimate, human side. From a boy who met his first boyfriend during forced labour in Germany to a newly married couple who survived Auschwitz, always looking for a sign that the other was still alive. These personal love stories often had major consequences, such as: the journey of thousands of wartime brides to and from the Netherlands, the at least as many children fathered by an Allied or German soldier, the persecution of homosexuals and large-scale paid love in the war years. Behind special curtains, adults can even peek into stories about wartime sex and admire vibrators from the 1940s.Love in Wartime is a unique exhibition that immerses visitors in the atmosphere of a cosy 1940s street with fully historically decorated rooms on either side. Behind one door is a living room, behind the other a hiding place or a café celebrating the liberation. This makes the exhibition an adventurous experience for young and old. The exhibition 'Love in wartime' is inspired by Steffie van den Oord's book of the same name, available in new print from 4 June 2024.The Freedom Museum shows the passionate story of love with unique masterpieces such as sheet music, diaries, love letters and wedding dresses. An intimate exhibition with never-before-seen material that will make your heart beat faster!

Love in Wartime

From October 2024 to the end of 2025, the Thornsche Molen Foundation will present a cross-border project with the theme ‘Flights Then and Now’ as part of 80 years of Freedom.The theme was chosen with the background of the evacuation of the residents of the hamlet of Thornsche Molen at the time of WW2 at the end of September 1944. They had to flee the violence of war and so did many other groups and, of course, the residents on the German side of the border. We want and need to continue to commemorate the destruction of the hamlet but now, 80 years on, we are going to celebrate freedom above all! We will do so with the cooperation and involvement of our German neighbours! It is important to emphasise the preservation of our democracy and freedom with this project. We want to make an effort to involve the current generations and especially the youth in the project! The latter group is formed by schoolchildren from primary school Op Weg in Ooij and Grundschule Christophorus in Kranenburg. We also want to pay attention to the NOW refugees who can be found in our region, such as Syrians and Ukrainians.FREEDOM cannot be taken for granted and we must continue to fight for it!

Exhibition | Flights then and now

Il progetto, realizzato nell’ambito delle iniziative di valorizzazione dell’Ottantesimo Anniversario della Liberazione della città di Faenza (1944 – 2024), prevede l’organizzazione di una esposizione dedicata alla Seconda Guerra Mondiale su territorio faentino negli spazi del Museo del Risorgimento e dell’Età Contemporanea di Faenza.Il Museo conserva infatti molti reperti dedicati alla Seconda Guerra Mondiale, come immagini, foto aeree, giornali, documenti cartacei, lettere di militari faentini al fronte, uniformi ed equipaggiamenti. Grazie al progetto espositivo, sarà possibile ricostruire - attraverso reperti e immagini - gli eventi e la loro caratterizzazione sul territorio dal 1939 al 1946, con un focus sulla liberazione della città il (17 dicembre 1944).

Italy

Inaugurazione dell’esposizione “Faenza nella seconda guerra mondiale”

La mostra racconta le distruzioni della guerra, la storia delle forze alleate che liberarono Riolo e il contributo della lotta partigiana antifascista, anche grazie ad alcuni dei suoi protagonisti riolesi più importanti (fra tutti Ivo Mazzanti e Angelo Morini), nonché la storia degli IMI - Internati Militari Italiani, i soldati che dopo l'8 settembre decisero di non collaborare con la Repubblica di Salò e il Terzo Reich. La cerimonia di inaugurazione si terrà sabato 7 dicembre 2024 alle ore 10.00, con partenza dal Monumento delle Vittime Civili, ed i pannelli saranno presentati da Marco Dalmonte, dell’Associazione Senio River, che organizzerà una visita guidata lungo il percorso espositivo della mostra.Sabato 14 e sabato 21 dicembre 2024 gli studenti dell’Istituto Alberghiero di Riolo Terme organizzeranno ulteriori visite guidate, aperte al pubblico.L'allestimento della mostra sarà fruibile liberamente dalla cittadinanza a partire dal 7 dicembre 2024 e fino ad aprile 2025.

Le 127 Giornate di Riolo 

Devastation and ResilienceWhen war breaks out in May 1940, Neeltje is 19 years old. For her 15th birthday she received a camera. Since then she has been photographing and developing the pictures herself.With the German invasion of Westkapelle on May 18, 1940, she sees the purpose of her photography: to capture and document the events. However, photography is forbidden by the occupying forces. She secretly takes pictures from the skylight in the attic of her parents' house. She also takes pictures in the street, because Neeltje is dressed in costume and can hide her camera under her apron.For laterIn October 1944, now 80 years ago, the dike of Westkapelle was bombed several times, destroying the entire village. Neeltje records everything with her camera.On November 1, 1944, Westkapelle is liberated. The sea water has free rein and a life between low and high tide arises. The hole in the dike must be closed as quickly as possible. Hereby the people of Westkapelle show their resilience. They work very hard to close the hole as quickly as possible. The dike workers and their families went to live temporarily in German bunkers. On October 12, 1945, the time has come, the hole in the dike is closed. Emergency houses are built and the inhabitants can return to their beloved village. The ruins are cleared away and reconstruction can begin.Westkapelle will rise again and everything is recorded by Neeltje Flipse-Roelse, as she herself said, “For later.”

Devastation and Resilience (Neeltje Flipse-Roelse)

A terrible disaster has struck our village“A terrible disaster struck our village. A tremendous bombardment that lasted 2 ¼ hours. The consequences are terrible.” These are the first lines from a letter Maatje Roelse wrote to her niece Piete on October 26, 1944. Because this letter provides insight into the feelings of and consequences for survivors, some quotes from her letter have been reproduced.On October 3, 1944, the first bombing of Westkapelle took place. The Allies had decided to flood Walcheren in order to weaken the German defenses. Not only the dike, but also most of the buildings were destroyed. The death toll was enormous: 180 people perished.Fleeing to 'safer' places“Yes Piete, a lot I lost. Mother, my sister, brother-in-law, uncle, niece, nephew and a friend. What misery is brought upon the world.” Warnings to leave for “safer” places on the island were underestimated, but the ferocity of the bombardment and the sheer force of the incoming sea water caused a flood of refugees toward the surrounding villages that very night. “Now we are in Oostkapelle on a country estate.... And the consequences. Entire village destroyed, all arable land under sea water. Now you live almost as if in a daze and sometimes do not yet realize what you have lost because you are not at home. But if you start thinking then you can't get out of it.”

Westkapelle's inundation

Discover History Like Never Before at the Channel Islands Military Museum!Step into the past and uncover the incredible stories of courage, resilience, and survival at the Channel Islands Military Museum in Jersey! Housed in a beautifully preserved German bunker from WWII, this one-of-a-kind museum offers an immersive experience that brings history to life.Explore Authentic Artifacts | Get up close and personal with rare memorabilia, from uniforms and weapons to personal diaries and photographs. Each item tells a story of life during wartime, shedding light on both soldiers and civilians.Experience the Occupation Era | Jersey was the only part of the British Isles to be occupied by German forces during WWII. Walk through the museum’s evocative displays to feel what it was like to live through this pivotal moment in history.Uncover Hidden Stories | Discover untold tales of bravery, ingenuity, and resistance. Whether you're a history buff or simply curious, the museum offers fascinating insights that will stay with you long after your visit.Step Inside a Genuine WWII Bunker | Not just a museum—this is a piece of history itself! Experience the atmosphere of an authentic German bunker, perfectly preserved to give you a glimpse into the past.Perfect for All Ages | Whether you're on a family trip, a school excursion, or an individual adventure, the Channel Islands Military Museum is an unforgettable journey for everyone.Plan Your Visit Today! 📍 Location: St. Ouen’s Bay, Jersey 🕒 Open: January to April = 10am - 1pm on Sundays | April to October = 10am - 5pm daily 🎟️ Tickets: Affordable prices for individuals, families, and groupsDon’t miss the chance to step back in time and experience history like never before. Visit the Channel Islands Military Museum—where every artifact, every story, and every wall whispers the legacy of those who lived through history.

Jersey

Channel Island Military Museum

<h4>Discover some of the best preserved WW2 Fortifications in Europe!</h4>The Channel Island Occupation Society (CIOS) Jersey is a voluntary registered charity that has been preserving, restoring and opening German fortifications for around 50 years and has under its wing an impressive range of the standard types of fortifications (Regelbau) constructed locally with most constructed to strict ‘Fortress Standards’ with 2 meter thick concrete reinforced walls and roofs. Many of these structures are restored to near operation condition as well as presenting details of the original crew who manned them and the forced labour used in the construction. A visit to one of our open days will present you with a working atmosphere feel with the chance to get hands on with equipment used at the time as well as events with living history groups presenting relevant displays. How or when can I visit? We open the three largest sites in our care regularly, with details below, which are Battery Lothringen (Noirmont Point), Strongpoint Corbiere and Battery Moltke (Les Landes Common), along with other openings that be pre-advertised on CIOS social media platforms. Visit any of our sites on a guided tour with the experts at <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.jerseybunkertours.com/">Jersey War Tours</a> or join us on one of our open days!RESISTANCE NEST MILLBROOK | Regelbau 631b Flanking Anti-Tank Gun Casemate for a 4.7cm Gun with coaxial Machine Gun. INFANTRY RESISTANCE NEST LA CARRIERE | Regelbau 631 Flanking Anti-Tank Gun Casemate for a 4.7cm gun with coaxial machine gun and a Regelbau Jaegerstand Coastal Defense Gun Casemate.‘KERNWERK’ BATTLE HEADQUARTERS AT L’ALEVAL | Regelbau Kanalinsel Nr. 531 Infantry Regiment Command Post.INFANTRY RESISTANCE NEST LA MARE MILL | Regelbau Wa.Prüf 543 4-Loopholed Heavy Machine Gun Turret Bunker. *Currently closed while undergoing renovation*BATTERY LOTHRINGEN | Kriegsmarine (Naval) 15cm coastal artillery battery. Regelbau M 132 Leitstand (Command Bunker) &amp; Naval Direction and Range Finding Tower MP1 plus multiple other constructions in the battery.Confirmed Sunday Opening Times 2-5pm | May 18th, June 15th, July 20th, August 17th, September 21st &amp; October 19th Admission: Adults £8, under 16s free. INFANTRY STRONGPOINT CORBIERE | Early Type Regelbau 633 5cm M19 automatic Fortress Mortar Bunker connected to a Regelbau 634 6-Loopholed Heavy Machine Gun Turret Bunker, Regelbau Jaegerstand Coastal Defence Gun Casemate “Kanone 2” for mounting a 10.5cm gun, Regelbau Kanalinsel Nr. 514 Group Personnel Shelter &amp; Regelbau Jaegerstand Coastal Defence Gun Casemate “Kanone 1” for mounting a 10.5cm gunConfirmed Sunday Opening Times 2-5pm with a minimum of 3 bunkers open | April 27th, May 11th, June 8th &amp; 29th, July 6th, August 3rd, September 7th &amp; October 5thAdmission: Adults £10, under 16s free.KRIEGSMARINE STRONGPOINT BUTTS AT LES LANDES COMMON | Naval Direction and Range Finding Tower MP3 and a Regelbau Fl 242 2cm Anti-Aircraft Gun Emplacement.BATTERY ‘MOLTKE’ AT LES LANDES COMMON | The position consists of the following interconnected structures: Regelbau M 151 Personnel Shelter for 25 Men , Regelbau M 153 Emplacement for a 15cm Turreted Naval Gun, 2 x Regelbau 512 Ammunition bunkers and a ‘temporary’ Emplacement for a 155mm Field Gun. Confirmed Sunday Opening Times 2-5pm | May 4th, June 1st, July 6th, August 3rd, September 7th &amp; October 5th Admission: Adults £8, under 16s free.

"Ils ont vu le débarquement à Juno Beach et la libération de Carpiquet" / Festival la semaine acadienne

The persecution of the Jews in photographs. Netherlands 1940-1945 - Liberation Museum Zeeland

L’art « dégénéré » : Le procès de l’art moderne sous le nazisme

Un exil combattant. Les artistes et la France 1939-1945

Love in Wartime

Exhibition | Flights then and now

Inaugurazione dell’esposizione “Faenza nella seconda guerra mondiale”

Le 127 Giornate di Riolo

Devastation and Resilience (Neeltje Flipse-Roelse)

Westkapelle's inundation

Le Musée Militaire des îles Anglo-Normandes

Channel Island Occupation Society: Bunker Open Days

Inscrivez votre événement sur Europe Remembers

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Type d'événement

"Ils ont vu le débarquement à Juno Beach et la libération de Carpiquet" / Festival la semaine acadienne

The persecution of the Jews in photographs. Netherlands 1940-1945 - Liberation Museum Zeeland

L’art « dégénéré » : Le procès de l’art moderne sous le nazisme

Un exil combattant. Les artistes et la France 1939-1945

Love in Wartime

Exhibition | Flights then and now

Inaugurazione dell’esposizione “Faenza nella seconda guerra mondiale”

Le 127 Giornate di Riolo

Devastation and Resilience (Neeltje Flipse-Roelse)

Westkapelle's inundation

Le Musée Militaire des îles Anglo-Normandes

Channel Island Occupation Society: Bunker Open Days

Inscrivez votre événement sur Europe Remembers